By A. Tapper & F. McKenna - from EA Circle
The wind was
blowing and the movie screen was shaking on a hotel rooftop high above the
remains of Stone Town, ancient capital of the Zanzibar archipelago. Yet John da
Silva, then 75, was undeterred. He wanted to tell his story. Many followers and
friends will remember how the frail man with spectacles made up his way on the
steep staircase of Emerson Spice hotel to give entertaining power point lectures
about the elaborate and often painful history of Zanzibar, every fortnight or
so. The audience of eager listeners was growing every week - tourists,
expatriates and locals alike.
John da Silva passed away on March
20, 2013 at the age of 76, with his family by his side, leaving many wondering:
Who, now, will pick up where the renowned historian left and continue to tell
the story?
Da Silva, who died of heart complications, some related to
diabetes, had been ill for some time and leaves behind his devoted daughters
Donna, Valerie and Cecilia, his adored nieces Bernadine, Presilda, Lucas, Lorna,
Francesca, Lorraine, Ulrica, Roselee and Ramona, and three brothers Santana,
Abel and Cajetan. His wife Carmen, who he had met and married in Zanzibar, died
in 1993 and his late brother Rudolph had passed away recently.
Not least,
he leaves an island, which is in mourning today for a man universally loved,
admired and cherished for his gentle, generous and gregarious soul, his sharp
wit, intellectual brilliance and tenacious dedication to the integrity of
Zanzibar and its people. All its people. Those from every community he so
lovingly sought to be preserved in their intertwined intricacies of their
diverse histories.
The historian, artist and family father was
Zanzibar'
s living memory. And he had indeed a story to tell. Of
artistically carved doors of Indian, Persian and Arab origin, of Sultans' times
and merchandise, of Zanzibar'
s development over the centuries under the
gentle trade winds of the monsoon. Audiences were spellbound when he talked
about "The doors of Zanzibar"
, "The history of Cosmopolitan Commerce" or
"The history of Zanzibar thorough old photos" as some of his lectures were
titled. In his later years, when the end of the Cold War in Africa and the world
finally enabled him to speak more freely, Da Silva was using his private
archives of photos, drawings, street maps, shop signs and files to bring to life
chapters of the rich history of Zanzibar, the spice islands off the coast of
Tanzania. He presented facts and photos, which might have otherwise been lost
forever.
As the main historian of Zanzibar he had witnessed it all: Born
in Portuguese Goa on the 24th January, 1937, as the son of Goan immigrants, his
family moved to Zanzibar in 1947. His father, a renowned tailor, had been the
dressmaker of the island's ninth sultan, Seyyid Sir Khalifa II bin Harub
Al-Said. The Omanis had ruled Zanzibar for two centuries before it became
independent. As history has it, John's father also designed and stitched a dress
for Princess Margret from England during her state visit to Zanzibar in 1954.
Often, little John was to make the deliveries of the royal gowns to his father's
clients.
In 1964, when Zanzibar became part of Tanzania after a bloody
revolution where many were killed and fled the country, da Silva stayed on
initially working for the local registrar. In 1958 he started work in
accounting, but his interest in art soon led him to work on the restoration of
of the paintings and murals in the Catholic Cathedral of St Joseph. Built by the
French about 1898, the Cathedral'
s Romanesque style is a replica of the
basilica of Notre Dame de La Garde Marseilles.
Although Da Silva's early
paintings featured Zanzibar portraits, the work on the Cathedral stimulated his
interest in the architecture of Stone Town. Concerned that there was no documentation of these diverse architectural styles influenced by cultures of
the Omani Arabs, Indians, Persians and European colonials, he soon focused his
art on the buildings of Stone Town.
Da Silva captured these facades in
pen and ink and watercolour as well as with his camera. He leaves a collection
of over 300 photos, and in many instances, the only known record of the carved
wooden doors, windows, iron lattice work decorating the balconies, alleys,
streets, historical and architectural important buildings of Stone
Town.
Over the years he saw the decay of the main island's historic city
centre, a unique collection of 2000 or so elaborate palaces, temples, merchant
houses built entirely from coral stone, most of them stemming from the height of
Zanzibar'
s development in the mid-19th century.
"In 1880, this was
one of the richest trade towns in the world after New York, Paris and London; we
had a garage for Rolls Royce cars here but only a one-mile-stretch of road", da
Silva used to amuse his listeners in his typical dry humour.
Following
the revolution in Zanzibar it was not allowed to photograph Stone Town - yet,
although it endangered his freedom, da Silva did. As an historian he felt a
personal obligation to document the fate of the islands, which had seen 11
dynasties of Omani rulers in three centuries, before it became a British
protectorate in 1890, and where last Sultan, Barghash, had built "The House of
Wonders"
, Africa's first property with electricity and an elevator south
of the Sahara.
John da Silva was intimately connected to the history of
the island. Not only in talking but also in doing. He personally re-painted some
of the frescoes of St. Joseph Cathedral, the centre of Catholic faith on the
predominantly Muslim island, and he took part, although not voluntarily, in the
building of the so-called German Flats, a present of residential buildings by
former East German Democratic Republic to Zanzibar.
His walking tours
became legendary amongst visitors to the island, often undertaken in his later
life with the help of a walking stick in searing tropical heat during periods of
ill health. Walking with Da Silva, Stone Town became a living museum. He pointed
out the details that distinguished the Arab (Swahili) doors from the Indian
(Zanzibar has the largest number of carved doors in East Africa): the simplicity
of the Arab mosques as compared to the ornate Indian mosques and four Hindu
temples: Gothic, Italian and English window styles all in the same building;
history learned from change of ownership of buildings as new rulers came to
power.
In 1991 the united Republic of Tanzania approved a proposal by Da
Silva to dedicate a series of postage stamps to the rich architectural heritage
of Stone Town. A unique collection of four stamps was issued featuring his pen
and watercolour drawings of the National Museum, The High Court building, the
Balnarna Mosque and a Balcony.
Not last with da Silva's documentation and
scholarly assistance Stone Town was declared a UNESCO world heritage site in
2000. Experts fear, however, that 80 per cent of the building stock is already
beyond repair. The House of Wonders was turned into a Museum in 2002, and is
currently under repair after parts of the backside of the historic monument
collapsed late last year. John da Silva was furious about this, as he always was
when neglect overran conservation.
He was an ardent defender of
historical sites appreciating their immeasurable value against all odds. A
conservationist of high moral standard, he always pleaded in favour of
protecting the cultural sites of Zanzibar in all their variety - but also
stressed that he did not want Stone Town to become a museum nor a collection of
boutique hotels. Meaningful restoration to him meant authentic, multi-purpose
reuse of old structures. The preservation and restoration had to be done without
creating a sterile, new environment affordable only to the wealthy and the
tourists.
John da Silva loved the island, which was his home and the
island loved him. He was one of Zanzibar'
s true and rare cosmopolitans. He
has lived to tell his story.
Da Silva's funeral mass took place Thursday 21st March at St Joseph's Cathedral, Stone Town and was followed by his interment at Mwanakwerekwe Cemetery.